Item no. 3 Set of four George III, circa 1780s Hepplewhite period dining chairs. These camel back mahogany chairs, with wheat sheaf motif to the splat, are in very sound condition. The finish has been revived and the drop-in seats have been re-covered. Height 95cm; depth 42.5cm; width 52.5cm Price: $ 1200
Restored
Early Dutch oak dressing table
A delightful early 18th century (circa 1720) Dutch oak, 3-drawer dressing/side table. This piece has a warm, time-worn patina, poise and personality. Restoration included replacement of three pad feet which were copied from the existing original. The shaped knee-hole apron and knee blocks were also missing and all repairs colour matched to existing finish. MoreContinue reading “Early Dutch oak dressing table”
Bachelor’s Chest
Item no. 31 If one is looking for a compact, mahogany chest of drawers with an optional desk surface, then this Regency era, streamlined piece may be just the thing. Circa 1815, what was originally a bureau was modified into the present form, probably some time during the Victorian era. Ornate handles and ormolu topContinue reading “Bachelor’s Chest”
Four-drawer desk – early- to mid-19th century
Early- to mid-19th century four-drawer desk Item no. 13 Elegant and practical four-drawer mahogany desk from c. 1830-50. The desk has mahogany cross-banding to the top, ebony banding, and ebonised ringlets to the turned legs, and generally a lovely original patina. It has an adjustable writing surface which comfortably accommodates the use of a laptop keyboardContinue reading “Four-drawer desk – early- to mid-19th century”
Exceptional Regency dining table in the style of Thomas Hope
Item no. 79 Exceptional quality regency dining table in the style of Thomas Hope, circa 1820. The large tilting top rests on a substantial triform base, supported by the most wonderfully carved lion’s paws. It comfortably seats six. The column has a concave form and is enhanced by moulded corners flowing into acanthus leaf scrolls.Continue reading “Exceptional Regency dining table in the style of Thomas Hope”
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